THE BEST OF 2016

Over the last few years, I’ve started keeping lists of everything I’ve watched and listened to, interviews I’ve done throughout the year and gigs I’ve seen.

2016 was busy but there’s always room for improvement. I would have liked to get to more gigs, for starters, and this year I will make an effort to get out more for non-work stuff, as well as read a hell of a lot more.

58 interviews, 33 gigs, countless albums, 11 books (pathetic!), 71 films, 17 TV series/documentaries.

Must try harder.

DEFAULT EARWORMS

Have you ever had an earworm that lasts more than a few hours – or more than a few days – or even more than a few months?

MORRISSEY: 10 OVERLOOKED SONGS

Oh god, not another Morrissey post…

Inspired by this Guardian Music list, and to coincide with Morrissey’s excellent new album, I thought I’d pick ten of his most overlooked tracks to share. Those looking for an Everyday Is Like Sunday or an Irish Blood, English Heart… turn back now.

In no particular order of preference…

MY SMITHS PILGRIMAGE

Anyone who knows me in person knows that I’m a big fan of The Smiths; the title of this very blog is taken from the name of a compilation of theirs. Earlier this year, my lovely other half arranged a surprise trip to Manchester for my birthday, knowing that I’ve wanted to go for years and traipse the hallowed paths that Morrissey, Johnny Marr, Andy Rourke and Mike Joyce once did.

There are guided tours for this sort of thing, but they didn’t seem to be running in February, or else you needed to have a group in order to book – so we took it upon ourselves to make our own way around the city to see some Smiths-related sites. Manchester isn’t that big and the public transport is great, so it was relatively easy to get around to a few places over the course of a morning. Maybe this post will come in handy for other people planning a similar trip, because there’s not that much sensible info out there.

TORI AMOS: SONIC SELFIES

Originally published in The Irish Times, May 7th 2014

SAY WHAT YOU like about Tori Amos, but you can’t accuse her of coasting through life. Having established herself as both an enormously successful and exceptionally diverse alternative songwriter in the 1990s with albums like Boys for Pele and even dance remixes like Professional Widow, the warm, slightly eccentric musician’s more recent projects may have flown under the mainstream radar. They include a Christmas-themed album (2009’s Midwinter Graces), a classical album released via Deutsche Grammophon (2011’s Night of Hunters) and composing for a musical stage adaptation of 19^th century fairytale The Light Princess last year. But make no bones about it: she has been a busy woman.

WHEN DID CAVAN BECOME COOL?

Originally published in The Irish Post, November 2013

Actual graffiti spotted on a wall in Belturbet, Co. Cavan

 

IF THERE IS, as they say, something in the water in Cavan, then it has taken one band slightly longer than usual to fully ingest its magical ingredient. Twenty-four years, to be exact. The Strypes may have blazed a trail over the last year, making fans of Elton John, Noel Gallagher and Paul Weller and creating Beatlemania-like scenes in the tents of Glastonbury and the airport terminals of Tokyo alike – but they may have inherited the mantle of ‘Cavan’s most famous exports’ from a different band, if things had turned out differently.

The Would Be’s, the band initially formed by brothers Paul, Eamon and Matt Finnegan in Kingscourt, Co. Cavan in 1989, became the could-have-beens when their fairytale story turned sour. A brilliant debut single (‘I’m Hardly Ever Wrong‘) saw the quintet compared to The Sundays and The Smiths; John Peel played it on his radio show and invited them to London to record a session; Morrissey invited them on tour as his support act and they had A&R men from multiple major labels clambering for their signatures. The future looked promising – until a combination of bad decision-making and youthful naivety saw them sign to an independent label, Decoy Records, who failed to nurture their talent. The dream became a nightmare when media interest dwindled at the band’s failure to progress and release an album.

THE BEST OF 2013

Yep, it’s that time of year again, and as I mercifully find myself in the rare position of being finished my year’s work early for once (!), I thought I’d list my highlights of the year.

I do love a good list, but not necessarily to rank ‘x’ over ‘y’ – I find that it’s really helpful to read other peoples’ lists and maybe get a good sense of any albums/songs/films that may have bypassed you during the year. It’s so easy to overlook records when you’re listening to so much stuff for work, and it can be difficult to keep up with the sheer volume of stuff being released. Nevertheless… below are my  favourites of 2013.

Have a lovely Christmas!

JOHN GRANT: ELECTRIC DREAMS

Originally published in The Irish Times, March 1st 2013.

THERE ARE confessional songwriters, and then there is John Grant. The Michigan-born, Colorado-raised musician had been celebrated as a lyricist throughout his tenure with The Czars, the band he fronted for ten years until their split in 2004. Yet it was the release of his astounding solo debut Queen of Denmark in 2010 that his propensity for pouring his heart and soul – metaphorical warts and all – brought his music to a wider audience.

DOMHNALL GLEESON: THE TIME IS NOW

Originally published in The Irish Post, September 3rd, 2013.

Domhnall Gleeson creases up, eyes widening and shoulders shaking as he tries to suppress a bellyaching laugh and avoid spraying the room with the mouthful of water he’s just gulped back. I have just asked the young actor whether he is ready to be hailed as the next big rom-com dreamboat – what’s so funny about that? – but a line in his new film About Time may go some way to explaining his mirth. By modern standards, Gleeson is, perhaps, “too pale, too skinny, too ginger”, as his character puts it, to be your stereotypical leading man.

IN MOZ WE TRUST

The Entertainment Editor of The Irish Post recently asked me to write about my longstanding and occasionally irrational love of Morrissey, to coincide with the release of ‘Morrissey 25: Live from Hollywood High’. Sometimes, you just have to put your journalistic impartiality to one side and allow your inner rabid fangirl to run rampant. 

Originally published in The Irish Post, August 28th 2013.

A KITCHEN sink may sound like a strange place to fall head over heels in love with a band, but in a way it is the perfect setting for a love affair with The Smiths, who drew so much of their imagery and lyrical inspiration from the ‘kitchen sink’ dramas of the 1950s and 1960s.

I still remember the moment clearly; it was 2001 and I was in my parents’ house, washing the dishes and listening to the Very Best Of CD that I’d bought earlier that day. The music shop that I was working in part-time had been playing this new collection on a daily basis, and I like to think that even as I went about the monotonous task of stickering CDs and answering inane customer queries, the music was subconsciously seeping into my brain.